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søndag den 13. december 2015

Iapetus, Saturn, Ancient Civilizations, Lost Knowledge





af ChaosNavigator

Once you eliminate the impossible, whatever remains, no matter how improbable, must be the truth. 
- Arthur Conan Doyle
This unusual moon is the only object in the Solar System which we might seriously regard as an alien signpost - a natural object deliberately modified by an advanced civilization to attract our attention
- Donald Goldsmith and Tobias Owen (the latter, the NASA discoverer of “the face on Mars!”)
A shorter english variant on Iapetus (PDF).



Følgende er rimelig diskontinuert og fragmentarisk men er ekstremt sjældne betragtninger
(historisk set intet mindre end den første artikel på dansk om anomalierne på Iapetus og Saturns hexagon var kendt for tusinder af år siden. Check selv det sædvanligt ufatteligt apatiske DK her).

Krypto-konspiranautisk-esoterisk silversurfer expedition i det følgende - fasten your seat belts, cause Kansas is going bye-bye:

Iapetus, Saturns ottende måne - det måske mest mystiske objekt i vort solsystem.

Ligesom vores måne vender den altid kun den ene side mod Saturn, dens inklination er også sindssyg (15% som den eneste). Den har den mest perfekte cirkulære orbis i solsystemet med en excentricitet som kun er 0.00283, mindre end 3%, den eneste anden cirkulære orbis i solsystemet er vor måne, som afviger med 6%, det dobbelte af Iapetus. Iapetus'
bjergryg hæver sig 20 km over overfladen i en lige linje omkring dens ækvator over tusind kilometer. Naturen producerer ikke sådanne lige linjer, men ikke nok med det; den har  parallelle linjer, 1 på hver side, dvs. 3 i alt. Kurvningen af Iapetus formet som en valnød går imod konstansen; loven om tyngdekraftiens udnivellering af objekter på den størrelse - den burde ikke være formet som en valnød (den bliver kaldt ' The Walnut' af NASA i øvrigt), m.m.m.





Dette giver et hint om de ekstreme vanvittige anomalier - en liste - MUST SEE:

"In terms of anomalies Iapetus is loaded! ....Nowhere is objectivity in modern science so clearly challenged as in the case of the wildly eccentric moon of Saturn,"
  • The incredible feature of having one hemisphere black and the other white,
  • The intriguing anomalous inclination and nearly perfect circular orbit,
  • The unique geometrical (hexagonal) shape of the satellite,
  • The strange surface features and the low radar reflectivity,
  • The low density of the overall satellite, combined with the higher density of the surface – in particular the equatorial ridge which rises up 12 miles above the surface of Iapetus
  • The three, parallel bands arcing around Iapetus’ surface and parallel to the equatorial ridge.
    Se listen: Iapetus - Halexandria


Selv National Geographic tripper over Iapetus:


Saturn's Moon Wears the Weirdest Mountain Range in the Solar System




Iapetus' Ying-Yang feature - skyldes ikke lyset
da den ene side er mørk, den anden lys.




Iapetus - markant afvigende i sin bane - i modsætning til alle andre objekters elliptiske bane, er banen næsten perfekt cirkulær, har 15 graders inklination, og flere millioner kilometers afstand til Saturn - alle karakteristika gør den unik

Iapetus is based on a geometric design. It is ‘the same geometry that defines a geodesic dome, a replicating tetrahedral pattern.’ LOOK AT THE ANGLED HORIZON.
- Incredible Iapetus

Iapetus igen (det ene med farvefilter) - hvad minder dette jer om?


 



 
Virkeligheden overgår SciFi - Dødsstjernen fra Star Wars og Iapetus side om side - you couldn't make this up:




                                     Synkromystiscisme, insider viden eller tilfælde?




En Kryptonautisk kommentar,
Clarkes insider viden, Saturn-kulten
"The “Cult of Saturn” does not want the soylents to find out the secret….meaning Saturn is the key…as well as it’s moons (mainly Iapetus). NASA has been charged with the concealment of Saturn, it’s moons…as well as Mars and its moon Phobos.
NASA is run by the offspring of the paper clip Nazis….they are members and minions of the “Cult of Saturn”.

Humans from antiquity could see the rings of Saturn, because the planet was much closer to earth millions of years ago. The Lord od the Rings movie is referencing the Archons (which purportedly hail from Saturn and it’s moons)

Stanley Kubrick was trying to tip people off about Saturn more than once in his movies, but was forced to use Jupiter to direct attention away from Saturn. The black monolith in his 2001 space oddity is a reference to the black hexagonal cube at the north pole of Saturn.

There are no coincidences in the 3rd density….because it is controlled by creatures from the 4th and 5th density.

The Archon creatures that bring destruction everywhere are worshipped by the Syndicate, the Crypto-Jews, and the Vatican’s Death Cult.

There will be plenty of mind control operations going forward. Regardless of whether or not the Archons from Saturn are here now or will be returning to claim the earth/human prize….the “Cult” will continue to pour their derision upon humanity by hitting on all fronts. These movies are meant to leave people flat-footed and desensitized for the transhumanism and mutation they are planning for the soylents.

When you see Jupiter….it is a substitute for what the “Cult” is afraid you will see and investigate (Saturn)"
- fra kommentar til anmeldelse om Jupiter Ascending. Hans website om Saturn kulten og den sorte kube: http://www.nicholson1968.com/nicholson1968s-post/saturn-worshipthe-black-cube



The Cult Of Saturn - Windows On The World - Zen Gardner

The Stanley Kubrick Conspiracy - Part 7: Saturn and the Black Cubes


The Nazi Conundrum | Saturn Death Cult


"If Dolan is right, there is one that we may call, for want of a better term, the Anglo-American Intelligence-Military complex. And if I am right, there is at least one other that we may call the Nazi or Fascist International."
- the breakaway civilization: richard dolan

“Did Arthur C. Clarke have access to secret knowledge? It is speculated that some of hollywood's best writers, including George Lucas and Steven Spielberg have been privy to accessing secretive occult knowledge. In other words: not all of their ideas are original. It is interesting that Arthur C. Clarke wrote about an alien monolith on Saturn's Moon Iapetus, at a time in the 1960's when NASA knew very little about this moon.”


Fra Wikipedia:
"In Arthur C. Clarke's novel 2001: A Space Odyssey (1968), astronaut Dave Bowman finds an enigmatic alien monolith waiting for him on the surface of Iapetus (referred to as "Japetus" throughout). Iapetus's two tone coloration is caused by a vast white ellipse on the moon's surface, with the monolith appearing as a black dot in its exact center. When the Voyager space probes arrived at Iapetus thirteen years later, they discovered that there was indeed a black region within the moon's brighter hemisphere. Clarke reports that Carl Sagan, who was on the Voyager imaging team, sent him a photo, with the note "Thinking of you ...".[3]."

Arthur C. Clarke's bog forudsagde det mørke område på Iapetus' lyse side 20 år før NASA bekræftede det i 1980 (derfor Sagans kommentar), hvilket er en umulighed, og hans bog, '2001', var Iaepetus-monolitten et centralt tema, men i Stanley Kubricks filmatisering erstattede man Saturn med Jupiter, og i SciFi-filmen 'Jupiter Ascending' er det igen spækket med Saturn-symbolik.

'Bowman spends months on the ship alone, slowly approaching Iapetus. During his approach, he gradually notices a small black spot on the surface of Iapetus,...When Bowman approaches the monolith, it opens and pulls in Bowman's pod. Before he vanishes, Mission Control hears him proclaim: "The thing's hollow — it goes on forever — and — oh my God! — it's full of stars!"
- Wikipedia om '2001: A Space Odyssey', uddrag


It is a well-known cliché that “Nature doesn’t usually create straight lines.”  If that is true, then it certainly doesn’t create three of them (close-up-below) – all running parallel, not only to each other, but to the literal equator of the planet. 
- Moon with a View; Or, What Did Arthur Know...and When Did He Know it? 1

 Moon with a View: Or, What Did Arthur Know … and When Did He Know it? 2






Saturns Nordpol

Men, det bliver mere svimlende - nyligt billede af Saturns nordpol:






Saturns nordpol - gif med farvefiltre:





Mysterious NASA video of Saturn reveals impossible hexagon-shaped cloud pattern larger than planet Earth

http://www.naturalnews.com/041365_mysteries_of_the_universe_Saturn_hexagon_clouds.html



Fantastisk farvefilter-billede:

 



Og så fandt jeg dette for nogle år siden - mindblowing - Here comes the shocker (klik for at forstørre):




Bogen er den mest autoritative bog om progressionen af historisk astronomisk viden gennem tiderne. Et genoptryk fra 20'erne

Ifl. Richard Hoagland (eller Hoaxland) var denne Hexagon-anomali på Saturn kendt af NASA siden 70'erne (som angiveligt var hush-hush dengang), men hvordan kunne Kaldæerne vide, at Saturn var associeret med en hexagon? Og for tusinder af år siden?

Hexagonen på Saturn kan ikke engang ses med Hubble teleskopet (pga. ekliptika), kun med rumfartøjer over dens nordpol!



Iapetus viser hexagon geometri:
'why is Iapetus’ shape approximate a hexagonal geometry?'
- Iapetus - Halexandria


Nogen - for tusinder af år siden - må have haft en avanceret viden/metode, for ikke engang idag kan man se Saturns enorme hexagon med teleskoper, kun med rumfartøjer/space probes. Første gang var med Voyager i slut-halvfjerdserne, anden gang med Cassini i 00'erne.

Men hvordan kunne Kaldæerne vide det? Medmindre man påstår, at det er et tilfælde.

Den eneste kilde på nettet (som jeg kan finde), som attesterer, at jødiske og arabiske kilder via Kaldæerne for tusinder af år siden gav attibutten, en hexagon til Saturn, er fra en 2010 reproduktion af en bog fra 1923 som oprindeligt er fra 1833.

Sammen med det faktum, at Iapetus har fysiske egenskaber, som trodser forklaringer om, at den hverken er naturlig skabt i hht. konstanter og naturlove eller menneskeskabt (medmindre man vil definere 'mennesker' som havende levet for milliarder af år siden, og med en teknologi, der får vores nutidige til at se ud som håbløst latterlig og dybt primitiv), og at den på makroplan har hexagonale faste 'klippe'-strukturer (i modsætning til den flydende Hexagon på Saturn), gør det kun mysteriet endnu vildere. Enten var det tidligere forsvundne hyperavancerede civilisationer fra jorden, som er milliarder af år gamle eller en extraterrestrial intelligens, som kunne gøre dette stunt.

En tredje mulighed for denne viden om Saturns hexagon er okkult: astral travelling, remote viewing. Det sidste forklarer bare ikke Iapetus' ekstreme anomalier eller oprindelse.

Kan ikke finde andre kilder på nettet, så jeg mener det er eksplosivt, et næsten ukendt novum af dot-connecting, omend nogle få sikkert er bevidste om det, men det må være meget meget få, for jeg kan intet finde på nettet andet end denne bog foreløbigt:

 Fra Amazon.com: An Historical Account of the Origin and Progress of Astronomy: With Plates Illustrating, Chiefly, the Ancient Systems Paperback – 3 Jan 2010
by John Narrien (Author)

Her er afsnittet igen fra Google books

Her om bogen fra Amazon: 


This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
http://www.amazon.co.uk/Historical-Account-Origin-Progress-Astronomy/dp/1142452336


Det elektriske univers er sandsynligvis det rigtige paradigme, og det er muligt, at mange myter refererer til ancient knowledge, ikke det 'indre' verdensrum:

https://www.thunderbolts.info/wp/2014/03/28/saturns-hexagon/

Thunderbolts of the Gods | Official Movie - YouTube
thunderbolts.info | A voice for the Electric Universe

Selv Joseph P. Farrell gør ironisk grin med de nye teorier om Iapetus, da videnskaben ikke kan forklare det: YOU CAN RELAX NOW: THAT MYSTERIOUS EQUATORIAL RIDGE ON IAPETUS IS FINALLY “EXPLAINED…”


Tip of the iceberg.....





Ancient Civilizations, Lost Knowledge - kort intermezzo:


More than 350 artifacts were found in Ecuador in an old tunnel system. One artifact in particular shows the same pyramid with an all-seeing eye at the top of it. Under a black light, the eye takes on an interesting hue while on the bottom of this artifact, you can see a star map of Orion's Belt along with writing that is older than any known writing on this planet. According to the research of Klaus Dona, the same writing has been found all over the world, proving that there was a pre-existing GLOBAL civilization that is much older than any Sanskrit writings.More than 350 artifacts were found in Ecuador in an old tunnel system.  One artifact in particular shows the same pyramid with an all-seeing eye at the top of it (right).  Under a black light, the eye takes on an interesting hue while on the bottom of this artifact (see picture below), you can see a star map of Orion’s Belt along with writing that is older than any known writing on this planet. According to the research of Klaus Dona, the same writing has been found all over the world, proving that there was a pre-existing GLOBAL civilization that is much older than any Sanskrit writings.

9. Why do all history classes exclude this information?

We are seeing a continuing theme involving Orion’s We are seeing a continuing theme involving Orion's Belt. The pyramids on the Giza Plateau also reflect the exact same alignment as the "3 Kings" of Orion's Belt.Belt. 

The pyramids on the Giza Plateau also reflect the exact same alignment as the “3 Kings” of Orion’s Belt.






10. What visitors came to this planet from Orion’s Belt?
 

11. What is the significance of the Orion’s Belt constellation?
Professor Kurt Schildmann, former President of the German Linguistic Association, called this writing “pre-Sanskit” (older than 6,000 years old) and was able to translate the writing as follows:
“The son of the creator comes.”

- 20 History Questions They Refuse To Answer In School


Houston Anthropologist Reveals Irrefutable Proof that Recorded History Is Wrong





Klerksdorp Kuglerne


Så er der ligheden med Klerksdorp kuglerne, som er fundet i Afrika, kæmpe anomali i sig selv; de er 2.8 milliarder år gamle, kan ikke ridses med stål, indeholder materiale som disintegrerer i kontakt med luft, har 3 parallelle linjer ækvatorialt, og der er også en rund fordybning over ækvatorlinjen, og ser derfor meget ud som....drumroll...: Iapetus!

"At least 200 have been found, and extracted out of deep rock at the Wonderstone Silver Mine in South Africa, averaging 1-4 inches in dia. and composed of a nickel-steel alloy that doesn't occur naturally.
Some have a thin shell about a quarter inch thick, when broken open are filled with a strange spongy material that disintegrates into dust upon contact with air.

The manufactured metallic spheroids have been mined out of a layer of pyrophyllite rock and geologically and by the various radio-isotope dating techniques are shown as being 2.8 - 3 billion years old, long before man.

.... A metallic sphere from South Africa with three parallel grooves around its equator. The sphere was found in a Precambrian mineral deposit, said to be 2.8 billion years old.


[p. 813, Forbidden Archeology]
"One of the most compelling arguments for artificiality of these perplexing spheres is a set of three (!) parallel grooves around their “equators (above); that -- and the equally remarkable hardness of the (currently unknown) material from which they are made."
The most astonishing, if undisputed fact (because of the highly specific dating of the pyrophyllite rock layers in which these “spheres" were found) is their extraordinary age: 2.8 billion years!
 

   Kosmisk humor - Dødsstjernen fra Star Wars, Iapetus, og Klerksdorp kugler side om side



Some years ago, Michael Cremo and Richard Thompson published a voluminous compendium of startling examples of additional “lost archaeological knowledge, in a landmark work entitled Forbidden Archaeology. Here’s one reviewer’s description:


“Over the past two centuries researchers have found bones and artifacts showing that people like ourselves existed on earth millions of years ago. But the scientific establishment has ignored these remarkable facts because they contradict the dominant views of human origins and antiquity. Cremo and Thompson challenge us to rethink our understanding of human origins, identity, and destiny. Forbidden Archeology takes on one of the most fundamental components of the modern scientific world view, and invites us to take a courageous first step towards a new perspective [emphasis added].…”


One of the most remarkable examples of potential ancient artifacts published by Cremo and Thompson were hundreds of “small, grooved spheres mined in South Africa. According to Roelf Marx, curator of the Museum of Klerksdorp, South Africa, where some of the spheres are housed:
“The spheres are a complete mystery. They look man-made, yet at the time in Earth's history when they came to rest in this rock no intelligent life existed. They're nothing like I have ever seen before (Jimison 1982).

One of the most compelling arguments for artificiality of these perplexing spheres is a set of three (!) parallel grooves around their “equators (above); that -- and the equally remarkable hardness of the (currently unknown) material from which they are made .


Again, Roelf Marx:

“… they are found in pyrophyllite, which is mined near the little town of Ottosdal in the Western Transvaal. This pyrophyllite (Al2Si4O10(OH)2) is a quite soft secondary mineral with a count of only 3 on the Mohs' scale and was formed by sedimentation about 2.8 billion years ago. On the other hand the globes, which have a fibrous structure on the inside with a shell around it, are very hard and cannot be scratched, even by steel [emphasis added] ."

[...]


But, that isn’t the most remarkable part of this story.


Other images of these mysterious “metallic spheres in the Klerksdorp Museum (below) reveal an even more astonishing, precise resemblance to none other than the Cassini close-ups of the anomalous eighth satellite of Saturn, Iapetus!


[...]

Again, we do not have room to debate the full details of Crick and Orgel’s panspermia theory. What we do have is brand new evidence, which they did not possess

That provides a stunning new line of research into their seminal idea.

Because -- parked in a unique “base 60 orbit, around the most spectacular “hyperdimensional planet of this solar system -- is an apparently ancient, geometrically altered world battered almost beyond recognition. Astoundingly -- a billion miles away, buried deep within this planet -- lie a set of miniature counterparts ... from a long, long time ago .

This stark “coincidence now demands serious investigation!
Saturn's Iapetus: A Moon With a View - The Enterprise Mission


We're All Made of Stars

Memet i tidsånden, at vi er kommet fra stjernerne , er meget oppe at vende disse dage:

Richard Dawkins, scientismens selvbestaltede ypperstepræst + de religiøse, Vatikanet og Jesuitterne :

"For example, consider what evolutionist Richard Dawkins told Ben Stein during an interview for the movie “Expelled“…

BEN STEIN: What do you think is the possibility that Intelligent Design might turn out to be the answer to some issues in genetics or in evolution?

RICHARD DAWKINS: Well, it could come about in the following way. It could be that at some earlier time, somewhere in the universe, a civilization evolved, probably by some kind of Darwinian means, probably to a very high level of technology, and designed a form of life that they seeded onto perhaps this planet. Now that is a possibility, and an intriguing possibility. And I suppose it’s possible that you might find evidence for that if you look at the details of biochemistry, molecular biology, you might find a signature of some sort of designer.

.....Investigative reporter Tom Horn has discovered that some top Vatican scholars are also into this kind of thing…


Do Vatican scholars actually believe Jesus might have been the Star-Child of an alien race? Does Consolmagno and/or other Jesuits secretly hold that the “Virgin Birth” was in reality an abduction scenario in which Mary was impregnated by ET, giving birth to the hybrid Jesus? As incredible as that sounds, you should prepare for the unexpected answer as this series unfolds.

All this would seem impossible theology if not for the fact that other high ranking Vatican spokespersons—those who routinely study from the “Star Base” (as local Indians call it) on Mt. Graham—have been saying the same in recent years. This includes Dr. Christopher Corbally, Vice Director for the Vatican Observatory Research Group on Mt. Graham until 2012, who believes our image of God will have to change if disclosure of alien life is soon revealed by scientists (including the need to evolve from the concept of an “anthropocentric” God into a “broader entity”), [iv] and the current Vatican Observatory director, Father Josè Funes who has gone equally far, suggesting that alien life not only exists in the universe and is “our brother” but will, when manifested, confirm the “true” faith of Christianity and the dominion of Rome.
- Are we being prepared that extraterrestrial seeded life on earth
https://www.intellihub.com/prepared-extraterrestrial-seeded-life-earth-jesus-alien/


Stephen Hawking - fra stjernerne til jorden og ud igen?:
'Colonize planets to save the human race ... - RT.com


Astronomical discovery: 'Super Saturn' with rings 200 times as large - CNN.com





Epilog

Final word; det slår mig at Klerksdorp-kuglerne i sig selv - bortset fra den eklatant eerie lighed med Iapetus - er et figurativt afbillede af den eneste planet i solsystemet, som har den mest distinkte og massive ring omkring sig... by far; Saturn....måske er det at strække den, men generelt; der er jo legio af karakteristika som ude i landskabet ikke passer med de hævdvundne modeller (landkort) i denne sag, mildest talt.....

Der kan ikke være tale om falsk associativ tænkning qua observation af stærke afvigelser fra de forventede konstanter, o.a. - komparativt. Hvis præmisserne (karakteristika, anomalier; Klerksdorp, Iapetus, Saturn, osv.) er korrekte, er det chokerende.

Hvis dette rabbit hole er sandt, er det svimlende...og jeg taler ikke for Ancient Astronaut Theory nødvendigvis (der er megen manipulation - en af mine venner er ven med Carol Rosin, så jeg er ikke fremmed overfor problematikken), men blot Ancient Civilizations....


Is it true...?






PS:

A massive and apparently permanent swirling ‘eye’ storm two-thirds the diameter of the Earth has been recorded at Saturn’s southern pole (Fig 193).

Eye-storms had not previously been found anywhere other than the Earth. There is also a permanent  hexagon storm the size of two Earths at Saturn’s northern pole which has confounded scientists (Fig 194). The hexagon completes a rotation every 10 hours 39 minutes and 24 seconds – exactly the same
period of Saturn’s very powerful radio emissions. The hexagon is a ‘flat’ version of a six-sided cube  as is made very clear in the image of a crop circle that appeared in England in 2012 (Fig 195). The cube just happens to be an ancient symbol of Saturn. Islam, as with Christianity, Judaism and many other Archon-inspired religions, covertly worships Saturn and so its focus of worship at Mecca is a black cube, or the Kaaba which literally means cube (Fig 196). The symbol of the cross, which was used as a focus of worship way before Christianity claimed it for its own, is another geometrical expression of the hexagon/cube. The cross is, like the hexagon, a flattened out cube (Fig 197).

The hexagon/cube is also expressed as the six-pointed hexagram, or Star of David. The six-pointed star is an ancient symbol of Saturn and the origin of the name Rothschild ‘Red-Shield’ (or ‘Red-Sign’ in German) after the red hexagram on their house in Frankfurt, Germany (Fig 198). The Satanist  Saturnist) Rothschilds were called Bauer before they changed their name to one representing this major symbol of Saturn. The symbol is now on the flag of Rothschild-created Israel, a prime vehicle for the Archon manipulation of human society (Fig 199). The eye, cube and hexagram are all symbolsof Saturn and all used profusely by the Archon networks within human society and their secret societies, religions and Satanists? This is all coincidence??

Knowledge of symbols and what they are and what they do is crucial to understanding how human society is being manipulated by the Archontic force. I have listed only a few headlines here in relation to Saturn, but I will be going much deeper into symbolism and its effect. Enough to say now that Saturn is
generating very powerful sound waves via radio waves and if you put ‘sounds of Saturn’ into YouTube you will be able to hear the eerie, guttural, satanic-sounding broadcasts that Saturn emits, as recorded by the Cassini mission. What you will actually be listening to is the sound of the Matrix. The hexagon and eye storms at Saturn’s poles are permanent because of the repeating sound emissions which are causing them to form in sync with the sound waves. They will remain until the sound changes. I have been highlighting since the 1990s the significance of a sound phenomenon known as cymatics in which sound is played across particles on a metal plate and the particles form into amazing geometrical shapes to reflect the vibration and resonance of the sound.  


When you change the sound the formations change to reflect the new vibrational ‘matrix’ and again if you put cymatics into YouTube you will see many examples of this at work ( Fig 200).

When the sound is turned off the particles just lie there in random piles. The hexagon at Saturn’s North Pole, as with its geometrical expressions, the hexagram and cube, are all manifestations of a certain sound frequency which Saturn emits. Sounds and symbols are different manifestations of the same frequency. The sound is the symbol and the symbol is the sound. So by placing Saturn symbolism all around us the Archons are constantly broadcasting the sound – information – from Saturn into the planetary and human energy
fields. They are doing this directly from Saturn, but the symbols underpin its effect on human perception. I found a cymatics video on YouTube in which the sounds were constantly and very quickly changing and therefore so were the symbols being created; but by freezing the frames I was able to isolate, as ‘coincidence’ would have it, symbols of the hexagon and hexagram or sixpointed
star (Fig 201). These were created by sound waves because those symbols are holographic reflections of those sound waves – thus the symbols of Saturn emit Saturn vibrations and sound (information) beyond the frequency of the human five senses. They are holographic expressions of the Matrix (Fig 202). Standing waves are well named because they are waves that ‘stand’ or stay the same so long as the sound or flow that is keeping them constant remains the same. This is what we see with the phenomena of Saturn and its rings and eye and hexagon storms. They are standing waves, of which
more later (Figs 203 and 204)

- Perception Deception, Icke, book 1 PDF (fra ca. side 170?)

Beklager de manglende fig. og fotos


Fra Icke's bog 1 om Iapetus:

More and more questions are being asked about the origin of the Saturn moon, Iapetus, discovered in 1671 by astronomer and astrologer Giovanni Domenico Cassini. Iapetus follows an orbit some two million miles from Saturn. It is Saturn’s third-biggest moon, the eleventh-biggest in the solar system and a place of mystery and anomaly – just like Earth’s Moon. One side of Iapetus is ‘as dark as asphalt’ and the other ‘as white as snow’ and this is caused by the duel nature of the surface, not reflected light (Fig 217). There is also an incredible and unexplained ‘wall’, or ridge, up to 12 miles high (Mount Everest is 5.5 miles) and 124 miles wide which bisects Iapetus for 800 of its 900 mile diameter almost exactly along the equator (Fig 218).

The ridge has led to Iapetus being dubbed the ‘walnut’, but no explanation is given for what caused this ridge to form.
Nothing like this can be found on any other moon of the solar system and researcher Richard Hoagland rightly said on his website enterprisemission.com: ‘There is no viable geological model to explain a sixty thousand-foot-high, sixty thousand-foot-wide, four million-foot-long “wall” ... spanning an entire planetary hemisphere ... let alone, located in the precise plane of its equator!’ There are also clearly non-natural rectangular and square box-like structures scattered over thousands of square miles in the area where the light side meets the dark side (Fig 219). Iapetus has hexagonal craters just as Saturn has its hexagon polar storm.

The Iapetus ‘moon’ is constructed with straight ridges or planes and is a flattened out or squashed shape rather than a sphere. It unusually orbits Saturn in very nearly a circle (our Moon is not that far off either) and it always shows the same face to Saturn (as our Moon always shows the same face to Earth). I have been saying for some years that Earth’s Moon is akin to the Death Star featured in the Star Wars movies of Cabal insider, George Lucas. The Death Star was a construct within which lived Darth Vader, the symbolic ‘fallen angel’ dressed in pitch black – classic colour symbolism for Saturn. This is made even more interesting when you consider the remarkable likeness between the Death Star and Iapetus and the same applies to the Death Star and Mimas,
another moon of Saturn (Fig 220). Richard Hoagland, a long-time researcher of space anomalies and NASA deceit, wrote:


Once the (amazing) possibility is admitted that Iapetus could be an artificial ‘moon’ – and may have been deliberately inserted
into such an odd orbit – the ‘coincidental’ nature of its unique, steep inclination (relative to the other similar-sized Saturnian
moons – Dione, Rhea, etc.) goes away. But, equally ‘coincidental’ is the shape of Iapetus’ inclined orbit ... and its precise
distance from Saturn. Iapetus’ orbit is extremely close to being circular -- with an eccentricity of only 0.0283 – departing from a perfect circle by slightly less than 3%. (By comparison, our Moon’s orbital eccentricity – a body that mainstream planetologists now propose was born from a similar theorized ‘collision’ – is 0.0549 or – 6% ... essentially twice as eccentric as Iapetus. For an almost circular, very high inclination orbit to have formed through ‘random chance’ is really pushing coincidence – if the agent for achieving that low eccentricity and the high inclination is supposed to be the same ‘random’ collisional event, back when Iapetus was forming.

I suggest that Iapetus is another camouflaged spacecraft with the inhabitants living inside and not on the surface – just as with the Death Star and the Earth’s Moon. So many themes of the story can be found in Hollywood scripts such as the 2012 movie Prometheus which was named after a mythical Archon ‘hero’ and this is also the name of another Saturn ‘moon’. The film featured a group of humans sometime in the ‘future’ visiting a far-off moon to find the extraterrestrial race said to have created humans and you could see clearly in the sky a body that looked exactly like Saturn. The badge of the crew also featured Saturn (Fig 221). The film was extremely reptilian in theme with a human researcher aborting a reptilian child and the final shot of the film featuring a reptilian entity as the punch line (Fig 222).

The moon featured in the film is supposed to be in the Zeta Reticula system which is the alleged home of the classic ‘Grey’ aliens. Director Ridley Scott said that he had been inspired by the writings of Swiss author Erich von Daniken, the pioneer of the theme of ancient aliens visiting Earth, but the constantly misleading theme is that humans were created by the non-human entities we are talking about. They were not. The human body was distorted, rewired and programmed, but not created from scratch. Hollywood in general is preparing people for what is planned – the unveiling of the true masters if we allow the global police state to reach a point of full lockdown. There has been speculation for some time that Phobos, a moon of Mars, may not be what it seems either (Fig 223). Dr Iosif Samuilovich Shklovsky, a Russian astrophysicist, is reported to have said in 1959 that Phobos could be an artificial satellite in view of its strange orbit and indications that it could be hollow. Raymond H Wilson Jr, Chief of Applied Mathematics at NASA, said in 1963 that ‘Phobos might be a colossal base orbiting Mars’ and that this possibility was being considered by NASA. More recently, in 2010, the Mars Express, a European spacecraft, took a series of close-up pictures ofPhobos and the BBC’s The Sky at Night programme reported that ‘Phobos is lighter than it should be, could be hollow, and its composition is not like any asteroids or meteorites that we know of’. How many of Saturn’s moons are constructs and ‘spacecraft’ rather than natural phenomena? In fact, I ask the same question about other bodies, too."





                                                         Artistisk gengivelse af Iapetus

This scene simulates a shot taken in low orbit over Saturn's moon Iapetus, looking down at a string of domed settlements built along the mighty equatorial ridge that runs along a large part of the moon's circumference.

This mysterious feature was only discovered as late as 2004 by the Cassini spacecraft, taking photos of the moon from orbit, and it is as of yet unknown how it came to be. It is about 1,3 thousand kilometers long, 20 kilometers wide and at places has peaks rising more than 20 kilometers above the surrounding plains. The area shown in this shot is however, not one of the tallest parts of the ridge, as I wanted to show the moon from a place from where Saturn is visible. As is the case with most moons, Iapetus is tidally locked to its parent planet, resulting in Saturn always being in the same place in the sky.

This was the first shot I made for the film, inspired by Kim Stanley Robinssons novel "2312" in which he describes a large urban area built along the ridge of Iapetus. The shot is almost built entirely in CG using various maps and photos from the NASA JPL photojournal as reference. Saturn in the background is a photo from the Cassini spacecraft (NASA/CICLOPS) but I don't know exactly when it was taken.

Again, I may have taken some artistic liberties here in making the city domes nearly unbelievably huge. The dome on the large city in the distance would be over 1 kilometer tall compared to the scale of the landscape. Now, the gravity on Iapetus is only a fraction of the Earths, so such structures like these would indeed be possible. It's just that there might take some time before we see such interest in living on Iapetus that there is need to build cities for millions and millions of people.
However, as a final note, Iapetus is one of very few moons around Saturn that has an orbit not entirely aligned to the plane of the rings, so, while on most other moons you would only see the rings as a mere stripe, from Iapetus you would see them in their full glory. So when it comes to amazing views, Iapetus would make for some highly valuable real estate.

I recommend turning to the wikipedia site for more reading on Iapetus, for example about its unique "yin/yang" coloring, being almost entirely white on one side, and dark brown on the other... '
http://www.erikwernquist.com/wanderers/gallery_iapetus_ridge.html

Wanderers. Why Erik Wernquist's short movie is so amazing

søndag den 5. juli 2015

Imagination and Play

by morton_h, the blogger




Some years ago I was walking the Haute Randonnée Pyrénéenne, which is the High Route of the Pyrennees. It is a path that crosses the highest passes of the mountain chain from the Mediteranian to the Atlantic Ocean, more or less forming the border between France and Spain. Apart from having been used by the Basques for smuggling and guerilla warfare, it is one of the most magnificent places on Earth to walk.
When you walk this route you need to rest inbetween, and apart from the nature view itself the natural inhabitants of the mountains are equally facinating. One day I was observing two black alpine crows flying around. They are especially famous among birds for their flying skills. They fly in two-by-two syncronous formation, they prefer steep slopes and go close to the ground, they maneuvre up-and-down and sidewards effordlessly. And most of all, which stroke me that day, they seem to do it for no other reason than for the fun of it. They were simply playing and merely as a side-effect keeping up their skills needed for sustaining themselves.

A biologist and bird connesseur may argue, that they would be patrolling the territory for dead animals that could be eaten. But that does not exclude the obvious fact that they are playing and having the greatest of fun at the same time.

In this article I will argue, that playful productiveness is the most natural state in the world, and that it goes for human beings also. I will also argue, that human society has a huge problem, because it has abandonned play as the primary source of energy or rather: the primary access to the primary source.


Imagine and Play
This is not a song by John Lennon, although he played and imagined before he was killed.

A Working Class Hero Is Something To 'Be.




I am talking about play, playfulness and the power of play versus powerplay.
I am not talking about The Play as mentioned by Shakespeare (whoever he/she was) as The Theater, that human beings are lost in.
Neither am I talkin about The Great Game, that is more or less identical on a geopolitical level to the Play of Shakespeare on the personal level.

Notice that game also means the target of the predator, which is rather interesting.

What I am talking about, is the ability to play that has been been taken away from humanity. Without play, there is no freedom. Without play there is no health. Without thruth and play, there is neither freedom nor humanity nor health.

Truth is, that all we have ever learned to have and hold, we learned as children playing. We did not learn, because parents and school teachers forced us to learn. We did not learn, because is was printed in the curriculum. The curriculum may at its best prepare us for and support learning, but no more. We did not learn by a schedule or with a whip over the neck. The whippers and schedulers like to think so, but they are wrong. We may have had some habits and even skills programmed into us, so we are able to repeat and perform them on command. But we only truly learned what we loved to do by playing.

Let us take a moment of imagination

How would it be, if people got up in the morning and actually felt like doing a piece of creative and productive work because it was playfully rewarding and not just because it gave them enough money, so that they would barely survive? And I am not talking about the privileged work-a-holics who are so fortunate as to have a job, where they are allowed to play - and earn much more than for survival. I am asking: what if this was the serious ambition of a whole society? Just Imagine.

I hear someone argue, that human society would not exist, if everyone were allowed to play around like children. Society takes hard work, hard work takes discipline, discipline takes firm education where you are taught to postpone and even override your own needs for the sake of needs defined by society (meaning someone else).

But that somebody arguing in this standardized and commonly accepted and so called mature way is missing several points.

First of all this composite of arguments totally lacks the power of imagination. And this is not really a counter argument, just a direct an spontanious opinion.

Next, and here comes a real argument, it disregards the fact, that people who are in full control of their own business, who are acumulating skills learned by themselves for themselves and who are actually enjoying what they do every day, almost always work harder, better, longer and with better results that others. These people have plenty of self discipline, but the thing is, that they don't think about it as such, they just perform by passion, and why wouldn't they?

They may not be artists, but their attitude towards the work they do have some kind of artistic touch. They have not yet un-learned the natural playful creativity they were born with - that every human being is born with! - and therefore they seem do things slightly different than others. They often invent new ways of doing what they do, and I would argue that society would never have been able to achieve anything of value without these people. Therefore it is sad to see, that this fact is so disregarded. 

The Play Killers
We have, as I promised to argue, a huge problem in the world today. One of many, that is, and they are all interwoven. But the problem I am talking about today is, that Industrialism and education/schooling and working moral in the industrial age - that is for 150 years - systematically and by intend removed the element of play from human beings in order to create a homo industrialis. Which by the way happens to be well suited as homo bellum (the war-human), should his master call for it. We are in fact talking about a master-slave relationship here, and we are talking about an update of Feudalism into the Age of Machines. A master does not need his slaves to be playful. He needs them to be an extension of the machine, a machine part, and machine parts are not playful, are they?




From a very early age as children, humans are under attack from The Machine, and most children coming to their puberty - probable before that - have suppressed their ability to play and are only able to simulate play in a way that entertainment industry has developed as a substitute, a simulacre. Real play enhances our energy, fake play drains and exploits our energy and wastes our time. Real play is never a waste of time.

It was all developed in the industrial age and for industrial purpose. When the weekend arrived - and remember it was not until the 60'ies, that Saturday became part of the weekend - the energy of the worker was so drained, that he was unable to be creative. And need we to say: in any way protest against the conditions to which he was condemned. A huge industry grew up on just delivering a valium'ish relief of pain and help to forget a whole week of frustration. The school system in the industrial age was accordingly designed to mimick for the slave labour of the parents of the school children, and a branch of the entertainment industry especially took care of the pain and frustration of children. Which it still does and more that ever. We just have to say social media (Facebook) and smart phones, two sets of disigner-drugs. Thing is: they don't keep out of working day and school hours any longer. They have crept in and have become ever present. They are preparing homo industrialis for the arise of the transhuman-being.

It can definitely be argued, that the moral conditioning of the homo industrialis is a produckt of Protestant England spreading from the core of the British Empire to the rest of the World. The Protestant, Puritan mindset did not even regard humans as beings with a soul. One of the most clearly outspoken religious ideologues was John Calvin, whose original Jewish name was Cauin og Cohen (admitted by B'nai B'rith). Let us see in reverse order, what this infamous organisation has to say about him:

'We are the Fathers of all Revolutions, even of those which sometimes happen to turn against us. We are the supreme Masters of Peace and War. We can boast of being the Creators of the Reformation! Calvin was one of our children; he was of Jewish descent, and was entrusted by Jewish authority and encouraged with Jewish finance to draft his scheme in the reformation (which was to convince Christians, that it was alright to charge usury and other damnable heresies which are in violation of God’s Laws).'  

The Puritans 
Calvin was speaking from Geneva, Switzerland, but became a leading figure beside Luther in forming the whole protestant movement, or should we say -revolution, in England without which industrialism is unthinkable. The Catholic project was already a war on Nature, thus a war on human nature seen as sinful and in opposition to God (whoever that was) and should thus be faught or at least strictly controlled. Protestants were not protesting to this project, on the contrary. They enhanced the model and perfected it for the world to come.
Max Weber: The Protestant Ethics and the Spirit of Capitalism

In Protestant countries we see more developed capitalism than in Catholic. We still see the conflict in Europe between mainly protestant, wealthy North, and Catholic not-so-wealthy South inside the EU. The whole set of affairs with ECB, IMF and Deutsche Bundesbank versus Greece is just that. And Italy, Spain, Portugal and soon to come France are more or less bancrupt.

It may em a paradox, that Puritanism, that would be expected to seek removal of human attention to the material world, on the contrary created the very attitude that Capitalism, Materialism and Consumerism were made of.

In order that a manner of life well adapted to the peculiarities of the capitalism... could come to dominate others, it had to originate somewhere, and not in isolated individuals alone, but as away of life common to the whole groups of man.
Max Weber


 
Calvin - the protestant rabbi
Since Protestantism had removed the Catholic assurance of salvation by mere devotion to the sacraments and the authorities of the hierarcy, Protestants began looking for other signs that they were saved. And lo-and-behold: Worldly success became one measure of salvation. But, and here is the Puritan element: it was considered sinful to spend all the money earned on worldly things and luxory. Charity and donations were in early Puritanism not considered praiseworthy, for the poor were according to the new spiritual-material hybrid philosophy not succesful, meaning blessed by God. They had no problems, though, with a rich merchant donating fortunes of money to the Church, and apart from the strict Calvinist groups, churches of great magnificence with treasures equal to the Catholic churches of the Middle Ages and Rennaissance were built. The merchant was blessed already by his succes, but doubble blessed for his pious gifts to the church. In return he was given a monumental commemoration inside the church - after his death of course.

Also investment among Protestant proto-capitalists was considered non-sinful, since it was not spending the hard-earned money on luxury.

The strong belief in heavenly rewards afterlife in still intact in the age of Protestantism. The industrial slave can now look forward to post-mortem salvation while labouring in sweat and dirt for his survival. The Machine almost became a devine thing, and certain elements of semi-masochism developed. 

The Shepheards 
So did the Protestants know what they prepared for? Of course not! This is not the way, human history works, and this is one of the slight misconceptions of conspiratorial thinking. It is true, though, that there dwells a well informed group of people operating through the ages, whose time span is radically different from other people, and that recognizes both the longevity and the methods of suppressing human nature. In earlier articles I have named them 'The Shepheards', since they were a class of people operating in the Middle East in pre-antiquity who realized, that human beings could be hearded the same way as domestic animals, and who developed methods necessary to do just that. So if you think, I am Jew-bashing while mentioning Calvin/Cohen as one of the descendants of these people, you may be wrong. Jews as we know them today have very much themselves been domestic animals under the auspices of the descendants of The Shepheards.

I will not name-names of where these Shepheard dweel today due to the complex and dubious nature of the subject. But I can't help noticing, that Calvin performed and spoke in a cross field of Catholic, Jewish and Protestant ideologies, and that one of the main sponsors of first Luther and then Calvin were the Venetian networks of bankers and financiers, that later created the 30 Year War extinguishing half of the population of Europe on purpose! That being strangely similar to the World Wars of the 20th century also done by design and on purpose, but of course denied in the 20th century's history books for children and adults as coincidense by 'coincidence theorists'. Neither can I help noticing, that the organs/institutions of Counter Reformation, the Jesuits and the Spanish Inquisition (the socalled Illuminati), have close ties to what B'nai B'rith calls The Fathers of All Revolutions. Today we see them in cloaks of Fabian Socialists, Culture Marxists and Zionist Nihilists performing their poisonous and highly manipulative agenda of political correctness by means of shame-guilt-and-fear.

Enough of name-naming. I just point out, that there is a deeper level of observation and intervention that most conspiratorialists have not identified. The Shepheards are not concerned with ideologies apart from these being instrumental to their observations and interventions. This is the reason for the confusion among those, who try to analyze the phenomenon. They get all confused in pointing fingers in one particular direction, but do not realize, that the virus, the cancer is all over and dwelling in every imaginable organ, institution, lodge and organization of our societies. It has - and let us thereby return to the main subject - killed all play-grounds of human societies and turned them into mental and physical abbatoirs. 

The Shining
ALL WORK AND NO PLAY MAKES JACK A DULL BOY!




The Dull Boy
You know this quote, of course. If in doubt for a second, let me remind you of The Shining, novel by Stephen King, movie by Stanley Kubrick featuring Jack Nicholson becomming a psycho-killer in a strange, isolated and artificial environment.

There are many layers to this movie (eg. see Jay Weidner), but I focus here-and-now on the clean cut statement of 'all work and no play'. The absense of play and all-prevalence of work is an extremely damaging force to any human being. So whether Jack in The Shining is a genuine psychopath or just a sociopath is not the question. By-the-way define the '-paths: a psychopath has been brain damaged in the two first years of his life and cannot therefore be cured by normal means. A sociopath has been damaged later than that, and has still some intact layers of curable, sane mentality. 1000-$-question is then: can the 'paths be created. Answer: absolutely! and they are being created constantly by the Shepheards ruling this world. One perfidious method is pedophilia, and it is not a coincidence, that an extensive network among the British establishment is being reveiled these days. Next answer: can a real psychopath be cured! No way! Bad news since psychopaths rule the world.

So Jack is a dull boy in the absence of play. Or so he says while writing this one sentence a thousand times, so something else of course i going on here. This makes him attempt murdering his wife and his son and actually murdering the former chef of the hotel kitchen, who recognized the mental gifts of his son (the shining) and the sick behaviour of Jack. The Shining is a strange argument for the all-prevalence of work and it's damaging effects, since Jack is in no way over-burdened with work, on the contrary. He is simply isolated and bored to death in the strangest place on earth, as caretaker of an empty hotel during the winter in the mountains, whereby his sociopathic/psychopathic entity (whatever) comes fourth. He could in fact have written 'No work and no fun ... He was not equipped with a healthy ability to play, so destructive boredom and imagination poverty took over. We here disregard all the Stephen King'ish and Kubrick'ish occult issues.

What I am saying here is, that the absence of play creates a sick mental condition for human beings. You will probably not end up as a psycho-killer as Jack, but you will be mentally aputated or damaged for certain!

Another crow story. An observer of crows told by Joshua Klein on Ted Talks. Crows are very intelligent animals, and they learn from each other. A crow in Tokyo once found out, that by dropping a peanut at a traffic light for pedestrians the nut would be run over by a car thus doing the hard work of cracking the nut. All it had to do then, was to wait for the green light and pick up the cracked nut. Shortly after, all the crows within five kilometres in the area of Tokyo had learned the trick. A useful trick learned by simple play.

Yet another crow story (don't remember where I heard it) told by a enthusiastic observer of crows. He saw a crow sitting with other crows on a branch of a tree. Suddently the crow rolls over hanging onto the branch with its head upside down. And the next day it repeats the stunt. Now why on earth would a crow do this except for the shere creative enjoyment of experiencing the world and its own head upside down?

Last crow story of today - also told by Joshua Klein, but a colleague of mine had the same experience. Don't mess with crows because they will remember your face forever and they will attack you whenever you get near their territory. They simply remember your face and whole statue. Researchers of their behaviour have to wear wigs and sun glasses when doing their research.

Writing this I am reminded of the movie The Crow - City Of Angels featuring Brandon Lee, the son of Bruce Lee - who like his father was murdered by the masters of Hollywood, that you probable have identified but are not allowed to mention. Some years ago it was freely available on YouTube, but the masters of Hollywood - that you are not allowed to mention, who now own Facebook, Twitter, YouTube and Wikipedia and most of the digital and written media of the Western World - have now removed it. No coincidence here. The movie directly adresses the perverse, raping-stealing-murdering culture of a mafioso structure infected with occult, satanic rituals running the world. Just as the masters of Hollywood. Therefore Bruce and Brandon and a whole lot of people, that did not like Hollywood and the entertainment industy and its masters, had to die.




Including John Lennon - A Working Class Hero Is Something To 'Be.

So why would an entity like Hollywood and the whole entertainment industry (run by the same masters) be parasiting on creative people? And I don't disregard the involvement of the CIA in the industry, on the contrary.
Listen to the Porkins Policy Review and its 7 extensive episodes on the subject of The CIA and Hollywood.

Having understood, that Hollywood is synonymous with the Power Play of the hidden masters, the Great Game and The Theatre in post-shakesperean and post-roman terms, the Colosseum 2.0, we may begin to understand why this 'creative' industry keeps us permanently un-creative and in a state of paralysis of playfulness. The 'holly wood' is in fact the stick of the Druids putting a spell onto you. But while the druidic culture of our long forgotten past was enhancing and securing deep knowledge of the people, the later masters, the Shepheards, were parasiting on the same knowledge turning beneficial magic into destructive magic (magic: the operating system of human reality).

1800-Industrialism, 1500-protestantism, revolutions since The French and in particular every single 'ism' of the the past 150 years serves this operating system of destructive magic.

See blogpost: Ideology Sucks

The Power of Play
Here comes the recipe of fighting back - and ultimately destroying - the operating system, the Great Game of the predatory Shepheards ruling the Age Of Pisces now striving to occupy the Age Of Aquarius - which they will not succede in. That is of course - beside allowing them to destroy themselves while watching and performing their own part of the Paradigm Shift with the means available to anyone who recogizes true human potentials - a recipe for working with the forces of true history (not told history = His Story).

What the Powers-That-Shouldn't-Be fear most of all is the reinvention of the human Power Of Play, the power to imagine/visualize and thereby create - a force that do not venerate the destructive force of organized re-creation (copy-pasting). If you are familiar with Gnostic knowledge, your may call it Sophian wisdom fighting the Archonic Forces. If you are into Steiner's terminology or the universe of the Danish highly over-looked equivalent, Martinus, you will have similar terms for this. Persian Zoroastrians also have similar terms for this. And if you consult a nowaday analyst with no connection to the above mentioned, eg. John Rappoport, you will find exactly the same recommended measure against the Empire: Imagination, Creativity, Visualization.

It is the very force striking back on Empire Striking Back.
It is the counter-reformation on counter-reformations.
It is over-all, potentially over-whelming human potentiality over-riding the present over-whelming potency of human beings.
It is the power of creativity defeating the power of destructivity.
It is the opposite of the bored, predictable machine-brain - however smart it may be - that the Play Killers themselves have.
It's that simple and yet blurred and incomprihensible to us. 

Imagine and play
What Lennon imagined, I don't know. He probably turned into a Yoko-Ono-and-Me-My-Narcissistic-Self because of the attacks from MI6/MI5 that The Beatles were exposed to - and the whole scam with the killing of Paul McCartney and the replacing him with a trans-figure 'Faul McCarthey' (very well documented and explicedly mentioned by all surviving members of the group).

But Lennon did imagine, which is why A Working Class Hero Is Something To 'Be.

By the way: have the observant listener noticed the striking simillarity between Saulus and Sct. Paul in the Christian mythology and the creation within the Beatles-mythology? This is exactly the way ideologists of all times and ages perform.

Realizing, then, that imagining and playing are regarded as highly subversive attitudes by The Powers That Be, this is EXACTLY what we should persuing.

Follow-Up - The Power Of Play